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Modern Japanese coinage (photo: Wikimedia Commons)

Image: Modern Japanese coinage / photographed by Samuel Ho / Wikimedia Commons / CC BY-SA 3.0source

Holed Coins (Ana-sen)Coin Story2026-05-02

Kan'ei Tsūhō — "Japan's Longest-Lived Coin" in Circulation for 230 Years

The history of the hole coin that continued to be used from the unification of Edo coinage in Kan'ei 13 (1636) to Meiji

Subject coin: 寛永通宝

Overview

Kan'ei Tsūhō (寛永通宝) is a round copper coin with four characters "寛永通宝" and a square hole on its surface, representative of the so-called "hole coin". Its minting began in Kan'ei 13 (1636) by order of the third shogun Tokugawa Iemitsu. It continued to be minted and circulated throughout Japan for over 230 years, supporting the common people's economy during the Edo period as Japan's own "domestic small coin" to replace the imported coins from the Kamakura to Muromachi periods.

The estimated number of coins issued was over tens of billions, making it the largest mass-produced single currency type in Japanese history. In addition to the mints directly controlled by the shogunate, the mints of various domains, such as Mito domain, also conducted minting, resulting in a diversity of typographies and mint locations, which are now targets for collectors.

In the overview of hole coins, Kan'ei Tsūhō is the most important coin type, serving as a face value standard for later introduced Tenpō Tsūhō (coin of a hundred fold value), and functioning as a fundamental currency in the coin department of Edo's "Three Currency System" (gold, silver, coins).

This article traces the story of the minting start in Kan'ei 13 and the significance of coin unification, the diversity of mint locations from Mito to nationwide, the practical role in the common economy, and the emergence of four mon coins leading to the end of the Meiji period.

Specifications

Denomination
1文(四文銭は4文)
Minting period
寛永13年〜明治初年(1636〜1870年代)
Metal composition
銅(一部鉄・真鍮製あり)
Weight
約3.7g(四文銭は約6.8g)
Dimensions
直径約24mm(四文銭は直径約34mm)
Mintage
数百億枚以上(推定)。江戸期最多量産の貨幣
Mint supervisor
水戸藩銭座(初鋳)。後に幕府直轄・諸藩の各銭座
Market price
通常品20円〜500円。珍品・極美品は数万〜数十万円以上

Kan'ei 13 — Iemitsu's "Coin Unification Order" and Departure from Imported Coins

Modern Japanese coinage (photo: Wikimedia Commons)

Image: Modern Japanese coinage / Coindesmonnaies / Wikimedia Commons / CC BY-SA 4.0source

The reign of the third shogun Tokugawa Iemitsu (in office 1623–1651) is known as the period of establishment for the Edo shogunate system. The institutionalization of the sankin-kōtai (attendance by alternate residence) system in Kan'ei 12 (1635), the completion of the national isolation policy in Kan'ei 16 (1639), and the commencement of Kan'ei Tsūhō minting in Kan'ei 13 (1636) were all interconnected measures deepening centralization.

Before coin unification in Japan, there was a mixture of imported coins mainly from China, such as Eiraku Tsūhō, Hongwu Tsūhō, Xuande Tsūhō, and locally privately minted inferior "private cast coins" (shichū sen). Import of foreign coins was frequently disrupted, causing unstable supply, while private cast coins varied greatly in quality and were unreliable. In everyday transactions among commoners, "eri zeni" — the habit of picking good quality coins — was rampant, causing friction in commercial transactions.

Responding to Iemitsu's directive, the elder statesmen of the shogunate decided on the policy of mass supplying domestically minted coins. Mito domain, under the lordship of Tokugawa Yorifusa (ancestor of Tokugawa Nariaki), was selected as the first mint location due to its prior technical achievements, with the first Kan'ei Tsūhō minted in Mito in Kan'ei 13 (1636).

The surface of Kan'ei Tsūhō bore the four characters "寛永通宝" in seal script and had a square central hole called "sen" designed to string together for portage. By adopting the same hole coin format as imported coins, it retained practicality by accommodating existing customs for carrying and storing coins. The initial goal was to completely replace imported coins and privately minted coins, thus starting a massive minting effort.

From Mito Coin to Domains — Expansion of Mint Locations and Diverse Variations

Modern Japanese coinage (photo: Wikimedia Commons)

Image: Modern Japanese coinage / Coindesmonnaies / Wikimedia Commons / CC BY-SA 4.0source

After the start of minting in Mito, the shogunate expanded production by establishing and permitting mints across various regions. Mint locations gradually expanded to Edo (Honjo, Fukagawa), Kyoto (Fushimi), Omi (Sakamoto), Mutsu (Sendai), and Nagasaki, among others. Sendai domain (Date family) and Nagasaki became major production sites from early on.

Differences in local copper materials, minting techniques, and supervisory systems in these mints led to variations in typography, weight, and copper color. Although the shogunate stipulated standards (diameter and weight criteria), precise management did not extend to remote areas, giving rise to "production site variations." This is the cultural background for how they are classified in the modern collection world as "○○ coins" and "○○ mint."

Iron Kan'ei Tsūhō ("tessen") was also minted at different times and regions. Iron coins were used as substitute material during copper shortages, but they are more prone to corrosion and fewer exist today. Brass Kan'ei Tsūhō (an alloy of copper and zinc) have also been confirmed, making material diversity another classification point in collections.

There are abundant typography variations, with categories like "Standard Text (standard kaisho)," "Old Kan'ei (unique early typography)," and "New Kan'ei (well-formed later typography)" used in the detailed types of Kan'ei Tsūhō. Old Kan'ei (early minting from Kan'ei 13–17 = 1636–1640) is given special treatment in the collection world due to its first historical value.

The early Mito-produced Kan'ei Tsūhō has a high degree of typographic uniqueness, distinctly differing in penmanship from the later increased Edo and Kyoto productions, making it essential for collectors to start with provenance distinctions. The study of typographic transitions across production sites from early Mito coins is considered the standard path for studying Kan'ei Tsūhō.

Principal of Common Economy — Coins on Tenement Shelves and by the Well

Modern Japanese coinage (photo: Wikimedia Commons)

Image: Modern Japanese coinage / Coindesmonnaies / Wikimedia Commons / CC BY-SA 4.0source

In the Edo period, Kan'ei Tsūhō was the medium for all daily transactions in the common economy. One mon was the smallest unit, a block of tofu cost 4–8 mon, kaike soba cost 16 mon, and a carpenter's daily wage was 200–300 mon (in the Genroku period), making Kan'ei Tsūhō a practical presence similar to today's 100 yen coin.

Edo's "botefuri" — itinerant peddlers carrying goods on balance poles — traded items like vegetables, fish, tofu, and oil almost entirely in Kan'ei Tsūhō. Tenement residents carried 10 to 100 mon worth of Kan'ei Tsūhō in their wallets (drawstring purses) as daily living expenses. In funerals, placing "six mon coins" in the coffin as fare for the River Sanzu crossing was customary, with six Kan'ei Tsūhō serving this purpose (this is the Edo period version of the Takeda Shingen flag symbol "six mon coins").

Economically, the Edo Three Currency System had gold coins (kobans, ichibukin) for "large transactions and hoarding," silver coins (chogin, ichibugin) for "medium commercial transactions," and coin currency (Kan'ei Tsūhō) for "daily small transactions," with Kan'ei Tsūhō being the lowest but most frequently traded, acting as the "circulatory system" of society.

Recreational culture too was deeply rooted in Kan'ei Tsūhō. Gambling, entertainments, and buying ukiyo-e prints — all were done with Kan'ei Tsūhō, financially supporting the common culture of Edo. Long after its stop in circulation post-Meiji, it slept as "old coins" in the drawers of people.

The Appearance of Four Mon Coins and the End of the Meiji — A 230-Year Circulation Record

Modern Japanese coinage (photo: Wikimedia Commons)

Image: Modern Japanese coinage / Coindesmonnaies / Wikimedia Commons / CC BY-SA 4.0source

In mid-Edo, the upgraded version of Kan'ei Tsūhō, "four mon sen" appeared. Its official name was "tōshi sen," valued at 4 mon per piece. It was a larger copper coin equivalent to four Kan'ei Tsūhō (one mon coins), with a diameter of about 34mm and weight of about 6.8g, larger than one mon coins. The "wave coin" (namisen), with ripples carved on the reverse, is a representative design.

The first issuance of four mon coin is said to be Kanpō 3 (1743) (some say there were prototypes in the Genroku era). The "big coin worth four pieces combined" improved transactional efficiency, with demand expanding particularly along with late Edo commercial development. With both one mon and four mon coins coexisting in the market, a situation arose where "even the same 'Kan'ei Tsūhō' differs in size," requiring commoners to have intuitive knowledge of coin differences they were familiar with.

Iron four mon coins ("iron four mon sen") were also minted mainly during the Bunka period (1804–1818). It was a measure for copper shortages, but iron deteriorates quickly, making well-preserved iron four mon coins far fewer than copper counterparts.

In Meiji 2 (1869), the new government stopped minting new Kan'ei Tsūhō coins. However, they continued to circulate until the cessation order of Meiji 9 (1876). The circulation over 230 years holds the record as the longest for a single currency in Japan. Along with the discontinuation of Tenpō Tsūhō in the same year of Meiji 9, the Edo coin system fully closed its historical chapter. Modern-day surviving Kan'ei Tsūhō, with its massive mintage, is easy to obtain, though differences in condition, provenance, and types create an infinite variety, marking the entrance to the profound world of old coin collection.

Value & Rarity

Kan'ei Tsūhō is one of Japan's most circulated old coins, with regular copper one mon coins available for 20 to 500 yen. It is the most approachable brand for beginners in ancient coin collecting, with its diverse types and deep history also attracting advanced collectors.

Highly valuable types include: firstly, "Old Kan'ei" — early mintings (from about Kan'ei 13 to 17 = 1636–1640) with unique "old-style script" differing from modern well-formed Kan'ei Tsūhō. Well-maintained Old Kan'ei can trade for 5,000 to over 50,000 yen. Secondly, "extremely fine iron coins" — due to the rarity of well-preserved items, especially fine to extremely fine iron four mon coins are highly valued at several tens of thousands of yen. Thirdly, "specific domain mintings" — items from specific locales such as Sendai, Nagasaki, and Mito attract attention from researchers and collectors for their typographic uniqueness.

In general, the value gap of Kan'ei Tsūhō is determined by "script, production site, material, era." Due to a detailed definition of rarities, referencing specialized books (e.g., "Detailed Explanation of Kan'ei Tsūhō") and the Japan Numismatic Dealers Association classifications is essential.

From an investment perspective, regular coins have low appreciation prospects. Long-term value is recognized in the fine Old Kan'ei, well-preserved iron coins, and confirmed specific domain mint items. As a collection, it is an ideal beginner brand that can be started affordably with great depth, being a foundational element of Japanese ancient coinage. Auctions also see them regularly listed, making it easy to accumulate market data for this brand.

Conclusion

Kan'ei Tsūhō is not merely a "common coin." It marks the start of Japan's unique currency system, free from reliance on imported coins, and was the "infrastructure of the era" supporting the everyday economy of Edo commoners for 230 years. From Iemitsu's coin unification vision, the diversity of mints spreading from Mito, to the spirit culture embedded in six mon coins — a single hole coin encompasses all of Edo's history.

In terms of collection, fine Old Kan'ei and iron coins warrant long-term possession as rarities, but regular items can be obtained cheaply, and their variations offer high value as entry brands. If Keichō Koban is the "top of gold," then Kan'ei Tsūhō is the "cornerstone of coins" — understanding the two as the wheels of Edo's monetary history profoundly enhances the depth of collection.

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